Hall became Gilda right before your eyes, her pure and riveting voice sustaining the high notes effortlessly and eliciting repeated applause from the packed house.”

- Robert C. Pollack of the Shoreline Times

“Hall, as Donna Anna, was most memorable in her heartfelt account
of her Act I aria, ‘Or sai chi l'onore.’ ”

- Arlo McKinnon of Opera News

“Amanda Hall as Fiordiligi sang with gutsy power but plenty of inviting warmth: her ‘Come scoglio’ showed she had the chops for the rapid passagework and the enormous range required.”

- Paul Horsley of the Kansas City Independent

Hailed for her “sparkling soprano” and “strong presence” on stage, young American soprano Amanda Hall is earning a reputation for outstanding performances of demanding repertoire on both the operatic and concert stages.

In the 2014-15 season she is soloist in Beethoven’s Missa Solemnis with the Jacksonville Symphony Orchestra, also New York’s New Choral Society; Mendelssohn’s Incidental Music from A Midsummer Night’s Dream with the Waterbury Symphony Orchestra; Cantaloube’s Chants d’ Auverne with the New Haven Symphony Orchestra; Bach’s Mass in B minor and Cantata No. 4 with the Grand Rapids Symphony; Mendelssohn’s Elijah with the South Dakota Symphony Orchestra; Vaughan Williams’ A Sea Symphony with the Modesto Symphony Orchestra; Verdi’s “Defiant” Requiem with the Defiant Requiem Foundation; and sings The Maid in Thomas Adès Powder Her Face with Boston’s Odyssey Opera.

During 2013-2014 Ms. Hall revisits the title role of Lucia di Lammermoor in her debut with Anchorage Opera, returns to Western Plains Opera as Countess in their production of Le nozze di Figaro, and performs the role of Konstanze in Die Entführung aus dem Serail in her debut with Opera Grand Rapids. On the concert stage Ms. Hall returns as soloist with The Hartford Symphony Orchestra, makes her debut with Asheville Symphony Orchestra, and joins the Minot Symphony Orchestra as soprano soloist in Beethoven's Symphony No. 9.

In an exciting 2012-2013 season Ms. Hall makes her debut as Blanche de la Force in Dialogues des Carmélites with Hawaii Opera Theater, sings performances of Orff's Carmina Burana with the New Haven Symphony Orchestra, returns to Opera Theater of Connecticut for her role debut as Gilda in Rigoletto, and makes her European professional debut as Marie in performances the 1857 version of Verdi's Simone Boccanegra with the Polish National Radio Orchestra.

The 2011-2012 season found Ms. Hall debuting as the Mozart heroines Fiordiligi in Così fan tutte with Lyric Opera of Kansas City, Donna Anna in Don Giovanni with Opera Naples, as Ms. Lucia in Donizetti’s Lucia di Lammermoor with Opera Theater of Connecticut, and she returned to the roster of New York City Opera for their production of Telemann's Orpheus.  Concert work included performances of Violetta in Verdi's La traviata with the Lubbock Symphony Orchestra, Orff's Carmina Burana with the Hartford Symphony Orchestra, Vaughn William's A Sea Symphony with the Eastern Connecticut Symphony Orchestra, Beethoven's Symphony No. 9 with the Yale Symphony Orchestra, Verdi's Messa di Requiem at the Hartford's Cathedral of St. Josephs, and a concert of Puccini arias and ensembles under the auspices of the Sanibel Music Festival.

Ms. Hall's other operatic repertoire encompasses performances of Violetta in La traviata with Western Plains Opera, Königin der Nacht in Die Zauberflöte, Countess in Le nozze di Figaro, Micaëla in La tragédie de Carmen all with Yale Opera, Giulietta in Bellini's I Capuleti e i Montecchi with the University of Southern California, the title roles in Massenet's Thaïs and Cendrillon with La Sierra Opera Theater, the title role in Floyd's Susannah and Belinda in Purcell's Dido and Aeneas with Central City Opera, and Berstein's A Quiet Place with New York City Opera.  Other concert works have included Haydn's The Creation with the Idaho State Civic Symphony, Verdi's Messa di Requiem with Lynn University and Yale Symphony Orchestras, Dvorák's Stabat Mater with the Connecticut Cappella Cantorum, Beethoven's Symphony No. 9 with the Waterbury Symphony Orchestra, and the East Coast premier of Kerni's Symphony of Meditations with the Yale Philharmonia.

Amanda Hall is a graduate of the Opera Program at the Yale School of Music and holds a Masters degree in Vocal Performance from the University of Southern California.  She currently lives in New Haven with her husband Nathan and their dog Kuma.


Mozart: Don Giovanni

Crudele?...Non mi dir

Verdi: La traviata

E strano - Sempre libera

Verdi: Messa di Requiem

Libera me

Vaughan Williams: A Sea Symphony

A Song for all Seas, All Ships


~ September ~

Mendhelsonn’s A Midsummer Night's Dream

Waterbury Symphony Orchestra


~ February ~

Canteloube's Chants d’ Auverne

New Haven Symphony Orchestra

~ March~

Bach’s Mass in B minor and Cantata No. 4

Grand Rapids Symphony

Beethoven’s Missa Solemnis

Jacksonville Symphony Orchestra

2015 (cont.)

~ April ~

Mendhelsonn’s Elijah

South Dakota Symphony Orchestra

~ May ~

Beethoven’s Missa Solemnis

New York’s New Choral Society

Verdi’s “Defiant” Requiem

Defiant Requiem Foundation

Vaughan Williams' A Sea Symphony

Modesto Symphony Orchestra

~ June ~

Thomas Adès Powder Her Face

Boston Odyssey Opera